By Richard Koszarski
The silent cinema used to be America's first sleek leisure undefined, a fancy social, cultural, and technological phenomenon that swept the rustic within the early years of the 20th century. Richard Koszarski examines the underlying constructions that made the silent-movie period paintings, from the operations of jap bankers to the issues of local theater musicians. He bargains a brand new viewpoint at the improvement of this significant new and paintings shape and the public's reaction to it.
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Additional info for An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 (History of the American Cinema, Volume 3)
Gregg Shorthand is a phonetic system which stipulates that consonant and vowel sounds be transcribed into geometric figures such as curved lines and ellipses, which are then joined together to complete a word. The system also features “brief forms” whereby entire words and phrases can be transcribed into such figures. To the average reader, a business letter transcribed using the Gregg system would be completely illegible, appearing as so many lines of squiggles—or perhaps a fence of barbed wire.
75 Fredric Jameson, The Political Unconscious, 55. 76 Acknowledging both the relative autonomy and the embeddedness of the subject, postwar realists construct affects as the relays that subjects to find their bearings within an environment. In my project, therefore, the mediatory code that links each discrete analysis to the totality is not reification but the division of labor. Each of my chapters converges on the representation of a particular type of labor and aims to illuminate how the pressures and constraints associated with that type of labor could generate affective intelligence within the subject.
For realists, the crucial question was how, in a world full of constraint, the intelligence of the body could reorient subjects towards where they have latitude or traction within the world, and hence a sightway to the future. But can the affirmation of our “unknown selves” be reconciled with a commitment to literary realism? ”36 If we can agree with Morris that nineteenth-century realist fiction tends to offer “little suggestion [. ”37 In the first paragraph of this introduction, I suggested that the political efficacy of the sentimental novel depended on transpicuous displays of emotions like suffering and sympathy.
An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 (History of the American Cinema, Volume 3) by Richard Koszarski