By J. Hoberman
Publish yr note: First released December twenty eighth 2010
An military of Phantoms is an immense new paintings of background and picture feedback from the very popular critic J. Hoberman. right here he applies an analogous dynamic synergy of yankee politics and American pop culture to the chilly War’s first decade that he dropped at the Sixties within the seriously acclaimed The Dream Life.
The years among 1946 and 1956 introduced U.S. dominance over Europe and a brand new battle in Asia, in addition to the beginning of the civil rights flow and the stirrings of a brand new formative years tradition. The interval observed the motion picture purged of its political left whereas the increase of ideological motion hero John Wayne got here to dominate theaters. reading video clips and media occasions, Hoberman has equipped a festival of cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars in which Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic assessments are proven on dwell television, God talks at the radio, and Joe McCarthy is bracketed with Marilyn Monroe. here's a historical past of movie that also is, to paraphrase Jean-Luc Godard, concerning the movie of history.
Essential examining for movie and background buffs, An military of Phantoms recasts a very important period within the gentle of the silver monitor.
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Additional info for An Army of Phantoms: American Movies and the Making of the Cold War
The That’s Entertainment! series has never been inclined to dwell on it, but everyone has always known that there was as much grind as merriment in making these movies. If common sense were not enough to tell us that you don’t get all those elements – music, dance, costume, decor, camerawork – into such perfect condition and so perfectly coordinated without labouring at it, there have been plenty of histories and memoirs to remind us. The time, the heat, the discomfort, to say nothing of the unpleasantness of some of the key personnel – Louis B.
Simpliﬁcation of events to allow easy comprehension The world rendered as global village; assumptions of consensus 0111 0111 4111 23 ONLY ENTERTAINMENT function similar to that in jazz; in minstrelsy, it took on an aspect of jolly mindlessness, inane good humour, in accord with minstrelsy’s image of the Negro; in vaudeville, elements of mechanical skill, tap dance as a feat, were stressed as part of vaudeville’s celebration of the machine and the brilliant performer. Clearly there are connections between these different signiﬁcations, and there are residues of all of them in tap as used in ﬁlms, television and contemporary theatre shows.
S wonderful! That she should care for me! ’S wonderful! ’S why I fell! ’S what I seek! ’S what I want! From head to toes! ’S marvellous! They dominate the street and passers-by look fondly on at, no doubt, les folies de l’amour. Musicals typically show us space entirely occupied by white people, dancing wherever they want, singing as loudly or intimately as they need. This is often, as it is with black performers, contained within the conﬁnes of the space of entertainment, the theatre or cabaret stage.
An Army of Phantoms: American Movies and the Making of the Cold War by J. Hoberman